In the previous two books in this series, a lot of time was spent bringing players into place and setting up introductions. There is plenty of action, but it all retains a fairly light touch - there is a sense that, although things are happening and changes are occurring, nothing really major has changed yet, and anything that has changed is not necessarily permanent. This is common in series, when you start to look at them holistically; it takes time and words to put all of the characters into the places they need to be for the plot to start really picking up. With The Stiehl Assassin, the plot definitely accelerates.
We've mentioned logical fallacies on the site before. It turns out that the human brain is not the most reliable machine, at least when it comes to being rational/logical. After all, our brains evolved to help us find better food sources and communicate about the dangers (and discomforts) of eating poison ivy or being attacked by saber-toothed tigers, not to help us analyze the finer points of morality or the inner workings of the cosmos. Functionally, they are just constructions of chemical and electrical signals that react to various stimuli.
There's something vaguely amusing about the fact that as I go through and read The Fall of Shannara series, I find myself most interested by, and rooting for, the invading Skaar and their hyper-competent Princess Ajin. It's not that I don't like the other characters (most of them, anyway), or that Brooks hasn't done a good job at making them sympathetic. To me, though, Princess Ajin is exactly what the best characters should be.
Some of you have probably already noticed this, but I wanted to make a formal announcement: IGC Publishing has a new logo! Although, I could say that as "IGC Publishing has a logo," since heretofore I've just been using a generic picture of a galaxy as the symbol for the site. Now, after a careful design process, we have our own symbol.
Where do I even start with a Shannara review? Shannara is epic fantasy in the very literal sense of the word, spanning hundreds of years of in-world history across myriad series and trilogies and stand-alone novels. Perhaps Brandon Sanderson's Cosmere may eventually be larger in literary scope, but even that will likely not sprawl so much as Shannara. Where a series like Wheel of Time covers a single story arc, Shannara has era, ages, and dozens of independent arcs. Sometimes, one has to wonder if Terry Brooks can bring himself to write anything that isn't Shannara: supposedly his Knight of the Word trilogy began as something new, and morphed into a prelude to Shannara.
We've been hearing a lot recently about how we need to "trust the science," and "follow the science." Anyone who does not agree with the science or the above statements tends to be labeled as unintelligent, ignorant, or otherwise mentally backward, perhaps irresponsible. It is one thing for politicians to use such phrases for political leverage and advantage: science has been invoked for political purposes for about as long as science has existed. To me, it is far more dismaying to see people who claim to be scientists themselves undermining the very essence of what science is supposed to be.
For me, minimalism has always been a complicated topic. On the one hand, I'm drawn to the flexibility inherent to such a lifestyle, and especially to its efficiency. It's probably the engineer in my talking, but I hate to see things go to waste, whether that's food, money, time, or "stuff." Minimalism would, it seem, logically result in a highly efficient lifestyle. On the other hand, that same desire not to see things go to waste means that I am often disinclined to throw things away.
I didn't put any really complex thought into deciding what the first educational post was going to be about; I just came across an article that I found interesting, and went from there. In this case, it was an article from NASA about purchasing lunar regolith (yes, NASA.gov is my browser's homepage). There were two, primary dimensions to this article, and they're worth analyzing independently: in-situ resource utilization, and international space law.
Perhaps the most interesting facet of the writing of Iggulden's Wars of the Roses historical fiction series is how, while the POV character switches frequently within each book, each novel seems to focus on a different character for its primary storyline, the character with whom the reader is meant to sympathize. In the first book, it was Margaret of Anjou. In the second book, it transitioned to York, particularly King Edward. With the third book, the series began to transition its focus to Earl Warwick, Richard Neville.
If I had to describe this story, I would probably say that it's whimsical surrealism in a science-fiction context, with elements of horror and metaphysics. It is, most certainly, weird. Whatever else it is, that last might be the only completely accurate descriptor, and it is still a really compelling story. Whatever meaning you decide to take, or not take, from The Hunt, I hope that you consider giving it a read soon. Available right here at IGCPublishing.com.