As I was writing the first two episodes of Blood Magic's second season, and working on revisions for the first season's episodes, I realized that I didn't have an adequate vision of how Merolate's government was actually structured. I knew the broad outlines - the Prime is in charge, he or she has an advisor, the Sub-Prime is the successor, the provinces are run by Governors who are subject to the Prime - but that's not really a full government.
Going back and re-reading these early episodes has really made me recognize just how much my writing has improved (in my opinion, anyway) in the less-than-a-year since I started releasing Blood Magic here on the site. The beginning of this episode, much like episode two, was told in a weird, semi-omniscient viewpoint, before reverting to the third person limited that is characteristic of most of the series. I think this was probably me trying to do a sort of "establishing shot," like would be done in a television show, but that technique really doesn't work for writing. It makes me wonder if I even recognized how jarring the viewpoint switches would be, or if I even knew I was doing it.
I like books with maps in the front, and since you've found a way to a publishing website that primarily focuses these days on fantasy and science fiction, there's a good chance that you share my opinion. Although I'm not a reader who spends hours pouring over the maps at the front, trying to chart out the course that the characters took, or catch the author in a continuity mistake regarding the reasonable travel time between two cities, I do consider a map in the front as a sort of mark of merit. If the author went to the time and trouble to have a map included, then there's a better chance that it's a book I'm going to want to read.
I hope that you've been following along with Blood Magic this year, because it's already been pretty exciting. I'm very pleased with how the revised editions of the first season episodes are coming together (revised versions of the first two episodes of season one should now be live here on the site), and the first two episodes of the second season have been pretty strong, as well. At least, I think so, which is mostly based on how the writing process went for them. Usually, that's a decent guide.
Hopefully you remember from last month that one of my projects for this year involves revising and re-releasing the previously published episodes of Blood Magic's first season. When I first thought about undertaking this initiative, I mostly imagined it as an editing pass, finding grammatical and typographical errors and cleaning them up, maybe tightening up the narrative a bit. However, when I went back and actually began revising, I found that I had a lot more to change than I had expected.
This post is loosely inspired by Brandon Sanderson's habit of posting complete annotations for many of his novels and stories, detailing how the story changed and evolved throughout his planning and revision processes, as well as what thoughts went into certain key decisions. I've found those annotations incredibly helpful as I've been working to improve my own writing, especially the copy of Sixth of the Dusk in which he includes complete drafts from various stages of the writing process. My goal is to offer something in a similar vein here, aimed both at fellow writers, and those of you interested in learning more about what goes into bringing Blood Magic to life.
I am very excited to present to you the first episode of a brand new season of Blood Magic, the short story series that I've been publishing for over a year now on IGC Publishing to minimal fanfare. If you're not already familiar with it, I encourage you to go over to the main Blood Magic page or any of my myriad posts on the subject to learn more. Better yet, I encourage you to start at the beginning, and read the first episode. We even have a newly revised edition here on the site, newly re-released for 2021.
Last year, we began publishing a series of short stories called Blood Magic here on IGC Publishing. I've written extensively about why and how I chose to do this, and the benefits it has provided me from a writing perspective, but there are things that I would like to do better, and things that I would change about how the publishing was executed if I had to do it over again. Fortunately, as I discussed in our announcement for the second season, I've given myself the opportunity to do just that.
Between working on Blood Magic and Fo'Fonas, which while very different are both larger-scale projects than anything I've attempted before, I'd like to think that I've been getting a lot better at building characters and plots. Certainly Blood Magic has forced me to stretch in this respect. Since I've been working a lot on them, I decided that I needed another, newer project to keep my writing fresh, since I find that if I sink too much into one or two projects I start to get too deep into the world and the storytelling suffers as a result.
I am excited to announce that for 2021, IGC Publishing will be hosting a Sententia discussion series. This is something that I've wanted to do for quite some time, and have attempted before in various formats to varying degrees of success, so hopefully this forum will help finally promote the concept. Twice a month, I will post a "Sententia" here on the site, and it will be open for comments and discussion, the idea being to foster original thought and productive conversation about complex, relevant, and interesting topics.