The Lost Metal is the most significant proving ground so far that he can manage to continue to tell compelling, intricate, contained stories while integrating those stories more with the Cosmere context.
The Bands of Mourning Review
While the characters, detail-level plotting, and world-building are all at Sanderson’s usual high level, the main plot felt like something out of Shannara.
Shadows of Self Review
Shadows of Self picks up a little after the events of Alloy of Law and builds on the threads leftover at the end of the first novel.
Alloy of Law Review
When I first heard that Brandon Sanderson was planning to do a second Mistborn series, set in a later era on Scadrial, I had mixed expectations.
The Naming Review
I read a lot, and I’ve been reading for a long time, especially in the fantasy genre, but something I’ve noticed since I began to make a deliberate study of writing in order to improve my own storytelling is that I've become much more critical of what I read.
Dreadgod Review
Wight’s writing in Cradle is dynamic and rapid, matching his prodigious and aggressive release timeline. That is not a bad thing, and is a key feature of his style, but I do often find that I wish he would slow down and develop his stories and ideas further.
Writers of the Future Volume 34 Review
I've been meaning to read at least one of the Writers of the Future anthologies for years now, and it just never rose to the top of my reading list, despite all of the emails I get from them. It took seeing this volume packaged under the same discount as Witches Abroad for me to finally obtain a copy, and I now wish that I'd done it sooner.
Witches Abroad Review
Surprise: instead of the review for Pilgrim's Progress or Diné Bahane' that you might have been expecting, I took a break to read and review another Pratchett novel.
The Last Raven Review
This was a good book. I have my gripes with it, but the headline is that this is a good book which I enjoyed more than I expected to enjoy it.
The King of Elfland’s Daughter Review
Why not simply name the book after her, if she is such an important character, or maybe name it ‘Elfland’s Princess’ or something similar? After reading it, I think you’ll understand why a more direct title is unsuitable for this fairy tale: the titular king of Elfland’s daughter is not so much the protagonist of the story as the catalyst.
