Dreadgod Review

Wight’s writing in Cradle is dynamic and rapid, matching his prodigious and aggressive release timeline.  That is not a bad thing, and is a key feature of his style, but I do often find that I wish he would slow down and develop his stories and ideas further.

The King of Elfland’s Daughter Review

Why not simply name the book after her, if she is such an important character, or maybe name it ‘Elfland’s Princess’ or something similar?  After reading it, I think you’ll understand why a more direct title is unsuitable for this fairy tale: the titular king of Elfland’s daughter is not so much the protagonist of the story as the catalyst.

Mistborn: Final Empire Review

Even before I went on a spate of re-reads this year, I was planning on re-reading Brandon Sanderson’s Mistborn series.  A new book is scheduled to come out in the fall, the last in the second Mistborn era, and I wanted to make sure that I was fresh on the whole story to maximize my enjoyment when I read it.

Dialogue Short Stories Reviews

I made an exception this past week for a pair of short stories (they could almost be called flash fiction) that Brandon Sanderson recommends for studying dialogue.  Since the stories were fine examples of both storytelling and writing craft, I decided to share a review for them, along with a review for Sanderson’s contribution to this technical style.