Several of the posts you’ve been seeing in recent weeks, and several in weeks to come, are prompted or inspired by the time I spent with Booth’s indispensable text. That’s not a word I select lightly.
Intimacy and the Unreliable Narrator
Just as real people are inevitably tinted by biases, experiences, backgrounds, opinions, and perspectives, the notional storytellers of our writing are bound by the same tendencies.
Identifying Descriptions
Many modern books which intrigue me enough to look up a description, or which I hear or read about, lose me at the description stage because they are not highlighting what I’m looking for in a story.
Plot Timing
If you want to tell the story of, say, the rise and fall of a civilization, or even an institution, in a way to fully capture it, you are often left to tell the story of a snapshot of that institution and use it as a lens by which to examine the rest.
Relatively Right
In philosophy, there is a concept called moral relativism. It was particularly popular in the mid-twentieth century, but has fallen out of favor in many circles today. Aristotle's famous question - "is conduct right because the gods demand it, or do the gods demand it because it is right" - is answered in moral relativism with a resounding no, to both alternatives. Instead, moral relativism asserts that conduct is right so long as it is in keeping with the conventions of the culture within that conduct takes place, and conduct should only be judged within that context.
Narrative Physics
With a title like that, you’re probably expecting a how to write type of post, walking through the disparate functions, actions, and reactions of the narrative structure. That’s not what it’s going to be about, but I wasn’t able to come up with a better title. I think that you’ll understand once you’ve read it. This is one of my occasional writing philosophy posts, although in this case it’s actually drifting more into the realm of just straight philosophy. The premise: the narrative is the quantum mechanics of human beings.
Keep Dreaming
I've seen a lot of commencement addresses for the class of 2020 recently, an outpouring of advice prompted by the lack of a more traditional ceremony because of the coronavirus-related lock-downs. If we're being completely, brutally honest, most of them have similar themes, and say similar things, and convey similar messages, whether they're from a celebrity, a political figure, or a businessman. I generally skim through a few of these as I'm reading the newspaper, but one title, or rather subtitle, caught my eye. It didn't catch my eye for being resonant with me, but rather because it was so completely contrary to any advice I would ever give anyone, if I were in any way qualified to give someone advice. It was talking about the important of letting go of myths of greatness.
IGC Publishing 