series, which rest, in my mind at least, mostly on the shoulders of Kiluron and Doil, with the Blood Magic itself, and the interactions of the characters and plots with it, playing a strong supporting role. This episode was the perfect opportunity to return, as it were, to the roots of Blood Magic. I think you'll find it a better reading experience as a result.
how much I struggled with the writing, and why that was. I won’t rehash those difficulties here, but the result was that I was put far behind on my writing for this episode, barely even starting it before the month began. Plus, part two proved to have its own difficulties, some related to the troubles with the first part, and some entirely original, which led me to even write August’s episode out of order (which you will read about when episode twenty goes live next month). The short version of this post: Contaminant would really benefit from my new staging revisions methodology.
Granted that it is less "exciting" than some of the other episodes, and that it is arguably telling of a rather minor incident in the affairs of Merolate and even of the characters, I really like this episode because it seems to embody in many ways my goals for the Blood Magic series, and what are some of its strengths. The whole of episode five turns on the relationship between Kiluron and Doil, and the geopolitical implications of Blood Magic in Lufilna, which I think are arguably the two strongest pillars of the series (though you as readers are more than welcome to disagree, and I would be very interested to know what you consider the series' strengths and weaknesses).
This episode is nothing more nor less than what it seems: a stand-alone story about a "fallen star." While it allowed me the opportunity to explore the culture of the nomadic tribes in the "Unclaimed Territories," and flesh out some of their own perceptions of themselves, and their interactions with the "civilized" nations of Lufilna, it really wasn't supposed to have a lot of character development, nor huge impact on future episodes. All of which means that while the start was a little slow to write, it ended up going pretty quickly, and after the first two thousand words were written, I finished the rest of the episode in just a few days. Which is good, because I fully anticipate the next episode, In Contempt, being quite a challenge to write.
I've been wanting to write this episode, or something like this episode, for quite a long time. The idea is best summarized as Star Trek's Prime Directive, from the perspective of the "primitive" civilization, and it's an idea that I've really wanted to find a way to explore in a story. So I put it into a plot in my initial outlining of the Blood Magic second season, and have been looking forward to the chance to write it ever since. That's probably why it ended up being so difficult to write.
As I was writing the first two episodes of Blood Magic's second season, and working on revisions for the first season's episodes, I realized that I didn't have an adequate vision of how Merolate's government was actually structured. I knew the broad outlines - the Prime is in charge, he or she has an advisor, the Sub-Prime is the successor, the provinces are run by Governors who are subject to the Prime - but that's not really a full government.
I hope that you've been following along with Blood Magic this year, because it's already been pretty exciting. I'm very pleased with how the revised editions of the first season episodes are coming together (revised versions of the first two episodes of season one should now be live here on the site), and the first two episodes of the second season have been pretty strong, as well. At least, I think so, which is mostly based on how the writing process went for them. Usually, that's a decent guide.
This post is loosely inspired by Brandon Sanderson's habit of posting complete annotations for many of his novels and stories, detailing how the story changed and evolved throughout his planning and revision processes, as well as what thoughts went into certain key decisions. I've found those annotations incredibly helpful as I've been working to improve my own writing, especially the copy of Sixth of the Dusk in which he includes complete drafts from various stages of the writing process. My goal is to offer something in a similar vein here, aimed both at fellow writers, and those of you interested in learning more about what goes into bringing Blood Magic to life.
I am very excited to present to you the first episode of a brand new season of Blood Magic, the short story series that I've been publishing for over a year now on IGC Publishing to minimal fanfare. If you're not already familiar with it, I encourage you to go over to the main Blood Magic page or any of my myriad posts on the subject to learn more. Better yet, I encourage you to start at the beginning, and read the first episode. We even have a newly revised edition here on the site, newly re-released for 2021.
Last year, we began publishing a series of short stories called Blood Magic here on IGC Publishing. I've written extensively about why and how I chose to do this, and the benefits it has provided me from a writing perspective, but there are things that I would like to do better, and things that I would change about how the publishing was executed if I had to do it over again. Fortunately, as I discussed in our announcement for the second season, I've given myself the opportunity to do just that.