I wonder if perhaps this whole debate is somewhat missing the real point, which is obfuscated by the forms in which we happen to package stories.
Speeches as Poetry
A few weeks ago, I had the opportunity to give a short speech at a large event. Maybe it could have been more distinctive if I’d had this thought before the speech, instead of about two hours later: I should have treated the speech like poetry.
Clarity of Vision – Opacity of Writing
In a substantial way, the very clarity of my vision for the story undermined my ability to write that story so someone else could understand it.
Writing in the “Real” World
Writing a story associated with the real world is complicated, and it becomes more complicated the more closely associated with the present real world it is.
An Oblique Approach to Reality
Thinking of poetry as an oblique approach to reality reframes my understanding of poems and helps explain why I’ve always struggled with writing original poems, but it doesn’t mean I can suddenly write poetry.
Specificity
Being specific with what you say might seem important in legal writing, essays, philosophy, and other, less fictional formats, but storytelling is less obvious. If you’ve been paying attention to our posts about word choice, though, you can probably see its relevance.
Judging Your Own Work
I write stories so other people can read them, but I’m the one who must be comfortable having written them.
Intentionality in Storytelling
With only a handful of lines, and a few words in each line, each one of them must bear a larger load for the poem. Everything must be intentional.
Causal Complexity
When we ascribe something to chance, it’s a shorthand to express that we don’t understand, can’t identify, or can’t distinguish the actual causes involved.
Identifying Descriptions
Many modern books which intrigue me enough to look up a description, or which I hear or read about, lose me at the description stage because they are not highlighting what I’m looking for in a story.
IGC Publishing 