It took growing my confidence as a writer, and reflecting on oral storytelling traditions and the performative nature of language, to realize that storytelling isn’t a one-way street, that I am not so much telling a story, dictating it via text, as I am sharing it with a fellow traveler along the journey that the story describes.
Missing Hunger
The idea that experiencing challenges and hardships improves us in some way is deeply woven into our modern culture, and not just in the form of the oversaturated superhero genre.
A Short Story Argument
Think of argument as how a story bridges to reality
Relatively Wrong
I want a morality that allows us to say with certainty, and with no caveats, “that is evil.”
Choosing Viewpoint: The Third Person Omniscient
If we look back at the origins of storytelling, I posit that there are two natural viewpoints from which stories can be told: the first person past tense, and the third person omniscient.
Choosing Viewpoint: The Third Person Limited
Third person limited past tense might be the single most dominant viewpoint in genre fiction today.
Choosing Viewpoint: The First Person
This first post will cover the first person past perspective and the first person present perspective, the next post will be on the third person limited past and present perspectives, and the third in the series will address the third person omniscient in past and present tense.
Contraptions
Take some sensors, maybe some servomotors, and a microcontroller, write a quick program, and you're all set to do whatever it is you want to do.
Dark Matters
I love considering the possibilities of an entire parallel reality of sorts consisting of the dark realm, with its own physics running alongside conventional physics but quite undetectable.
Tuning the Universe
Are we a mere accident, the chance result of comingling molecules in a primordial soup, brought into consciousness by a fluke of probability inevitable in an infinite universe? Are we a necessary extension of ever-increasing entropy, biological machines evolved to accelerate and further entropy’s conquest of order? Are we, rather, divinely created, the protagonists for which this setting was formed?
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