I'm not one to pat myself on the back too much, especially with regards to my writing - if anything, I probably spend a little too much time talking about what I perceive as the flaws in the writing that I'm trying to convince all of you to read - but this is just a really good episode, at least to me.
This might seem like a little bit of a slow story to some of you, and that’s okay; I don’t want every story to involve a lot of action in the traditional sense.
I think a lot about writing action scenes. I don’t mean action scenes in the literary sense, but action scenes in the sense that probably attracted a lot of us to speculative fiction in the first place, the kinds of action scenes with flashing swords, sparking wands, roaring dragons, and pirouetting starships.
For all that I really enjoyed writing this story, and think that you will enjoy reading it, I don’t have very much to say about it. It’s a simple story, really, introducing Arval and providing a little context and a little conflict.
I debated whether I should do a reflections post for season two at all. Since I started doing the release posts, most of the ground that I would cover in such a post is covered in those, instead, and I don’t want to be redundant. While Blood Magic is a major part of IGC Publishing at this point, making up the bulk of its content, I still want to be able to appeal to and attract readers who may not be interested in that particular series. However, I found after I finished the season two finale that I had enough to say about the season as a whole to make this post worth writing. Plus, I try to keep from putting spoilers to the events of the episode in the release posts, so consider this you spoiler warning: I do not intend to be so careful here.
My main goal, going through revisions having now completed the Pifechan invasion episodes at the end of season two, was to help readers understand the Pifechan mindset, and to make them seem less like a tropy evil empire out to dominate the world.
On the surface level, it is about the straightforward problem of countering the Gälmourein threat. On a deeper level, it is about the mysteries involved, and in that respect this is a little bit of a bait-and-switch.
couple of days, and I will get to my destination quickly, with readily available food, shelter, fuel, and other resources readily available in familiar forms all along the way. I can get in an airplane and fly anywhere in the world with a minimum of effort and time expended. Even more remarkably, I can take out my phone and conduct a live video conference with people in a dozen different countries, and we’ll hardly notice a delay.
The separation between morality and law is something that has long fascinated me. It's a similar question to Socrates' famous query: "is conduct right because the Gods demand it, or do the Gods demand it because it is right?"
if you haven’t heard the phrase “training montage,” you’ve probably encountered one. They are pervasive in modern storytelling, especially in speculative fiction, to the point where the only techniques that might be more overused are prologues and flashbacks. Like prologues and flashbacks, they are overused for a reason, serving several valuable purposes in the narrative process, but so many of them have been done, with only mediocre execution, that the technique itself has become tiresome.