I hope that you've been following along with Blood Magic this year, because it's already been pretty exciting. I'm very pleased with how the revised editions of the first season episodes are coming together (revised versions of the first two episodes of season one should now be live here on the site), and the first two episodes of the second season have been pretty strong, as well. At least, I think so, which is mostly based on how the writing process went for them. Usually, that's a decent guide.
Hopefully you remember from last month that one of my projects for this year involves revising and re-releasing the previously published episodes of Blood Magic's first season. When I first thought about undertaking this initiative, I mostly imagined it as an editing pass, finding grammatical and typographical errors and cleaning them up, maybe tightening up the narrative a bit. However, when I went back and actually began revising, I found that I had a lot more to change than I had expected.
This post is loosely inspired by Brandon Sanderson's habit of posting complete annotations for many of his novels and stories, detailing how the story changed and evolved throughout his planning and revision processes, as well as what thoughts went into certain key decisions. I've found those annotations incredibly helpful as I've been working to improve my own writing, especially the copy of Sixth of the Dusk in which he includes complete drafts from various stages of the writing process. My goal is to offer something in a similar vein here, aimed both at fellow writers, and those of you interested in learning more about what goes into bringing Blood Magic to life.
I am very excited to present to you the first episode of a brand new season of Blood Magic, the short story series that I've been publishing for over a year now on IGC Publishing to minimal fanfare. If you're not already familiar with it, I encourage you to go over to the main Blood Magic page or any of my myriad posts on the subject to learn more. Better yet, I encourage you to start at the beginning, and read the first episode. We even have a newly revised edition here on the site, newly re-released for 2021.
Last year, we began publishing a series of short stories called Blood Magic here on IGC Publishing. I've written extensively about why and how I chose to do this, and the benefits it has provided me from a writing perspective, but there are things that I would like to do better, and things that I would change about how the publishing was executed if I had to do it over again. Fortunately, as I discussed in our announcement for the second season, I've given myself the opportunity to do just that.
Between working on Blood Magic and Fo'Fonas, which while very different are both larger-scale projects than anything I've attempted before, I'd like to think that I've been getting a lot better at building characters and plots. Certainly Blood Magic has forced me to stretch in this respect. Since I've been working a lot on them, I decided that I needed another, newer project to keep my writing fresh, since I find that if I sink too much into one or two projects I start to get too deep into the world and the storytelling suffers as a result.
It is my perverse hope, as an author, that you are currently on the edge of your seat after the tense ending to November's Blood Magic episode, part one of the two part season finale. Don't worry: your plight will be alleviated at the end of December, when the twelfth and final episode in Blood Magic's first season will be going live. From what I understand (which is quite a bit, since I'm the author), it's going to be quite the climax, and the Merolate you've come to know and hopefully favor over the past year will be irrevocably changed.
As I was writing several of the scenes in the later episodes of Blood Magic's first season, I was struggling to describe what, exactly, Prime Wezzix and Borivat do all day. Specifically, I had a discussion in episode eight about Merolate's budget. As I was writing it, I was trying to make it realistic, but I found myself wondering what a budget for a nation-state at a level roughly comparable to Italy in the thirteenth or fourteenth century might reasonably include.
I admit that I've never participated in NaNoWriMo, despite it being one of the most popular events for the past several years for aspiring writers. The goal of it is to help people establish a writing habit, so it's not that I don't support the mission. In fact, I post writing prompts here on the site precisely because I want to encourage people to write more. And the idea of basically free-writing a short novel in the course of a month isn't a bad one. As unreasonable as it might sound, writing fifty thousand words in a month is not all that much of a stretch, if you're willing to make a routine out of it.
Remember when I promised that I was going to try to share more world-building details and background of how I go about crafting these stories? I think this is the first post to move that effort forward. Back in September, I finally got ahead on my Blood Magic writing schedule, even beginning part one of the two-part season finale (released in November and December), so it seemed a good time to release something extra.