The paper examines the comparative creativity of stories written by people who did not use AI, or who had access to AI.
Automatic Stories
Today’s post is not so much about the details of the technology, or pondering whether we will one day live in some kind of post-scarcity utopia in which our machine-slaves can solve all of our problems, generate optimal art, and fulfill our every whim in addition to freeing us from manual labor and rote tasks, as it is about reflecting on the nature of creativity and the process that we are really going through when we attempt to ‘create.’
Trail to Keyboard
This is my main solution when I'm struggling with a story and not sure where it's going to go next or what to write for a new scene. Usually, by the time that I return from a ten mile run, I've not only determined how I will solve whatever problem I was originally struggling with; I've also determined what will fill the several chapters or sequences, and it's often better than what I would have come up with just by sitting down at the keyboard and stewing over the text. Nor is this necessarily restricted to stories and writing, as I've used the same technique to help me develop solutions to all kinds of problems and stresses and challenges in my life: intellectual, personal, and practical. But that's beyond the scope of this post.
Vision
One wonders what other common facts about everyday life we tend to ignore because of how seamlessly our technology helps us overcome those difficulties. Since most fantasy stories take place in pre-industrial settings that would not have most of these kinds of aides, it is worth considering working these kinds of facts of the human condition into stories.
Uniting Contradictions
Perhaps it’s not terribly surprising then that I try to avoid introducing contradictions into my fictional worlds. For most of the time that I’ve been writing, I’ve operated in world creation under the premise that contradictions in world-building will drive readers away and make the world less believable. After all, overt contradictions would seem to undermine the idea of plausible impossibility, and leave the reader less immersed in the world. A contradiction can act like a sort of car accident that abruptly stops the flow of traffic and ejects the reader from the story.
New Project
Some of you will be excited by this post; others dismayed. Rather than working on one of the many projects that I already have in process (especially ones like the second Fo'Fonas book, and the Blood Magic series), I sat down with some of the first writing time that I've had in awhile, and started something totally new. It's also very different from anything else I'm currently writing. To read the test scene rough draft, you can download the PDF below. If you want to know more about how this came to be, keep reading.
IGC Publishing 