The Dragonbone Chair Review

There are two main ways to read The Dragonbone Chair and its sequels in the Memory, Sorrow, and Thorn trilogy, and they are not mutually exclusive: this can be thought of as a historical fantasy story with sorcerous elements, or as a Tolkien-style fantasy with strong historical elements.

Von Braun Review

Although I’d long desired to find a biography of Werner Von Braun, one of the more complex and mysterious figures of early rocketry, most of the treatments I found seemed unlikely to provide the kind of detail and depth of analysis that I was seeking, so when I came upon a biography of him that was consistently billed as the best study yet done of him and his history, I was optimistic enough to add it to my reading list, and excited enough by its possibilities to read it within a year of its addition.

Foundation Review

It was actually a television adaptation of Foundation that prompted me to realize how long it had been since I last read this science fiction classic, and that it was probably time for a revisit.  My wife and I recently watched AppleTV’s interpretation of Asimov’s novel, and so I decided it was an opportune time for a reread.

Elder Race Review

Yet for all the attention that the equivalency between science and magic seems to take, it was not to me really what drove this book or made it enjoyable. I think this book was really all about perspective and communication, and the evidence is in the very structure of the book. It is written primarily from two perspectives: the “magic” perspective and the “science” perspective, and it is the contrast between the two that makes this book distinct from any number of other riffs on the interaction between more and less “advanced” civilizations.

Epic of Gilgamesh Review

We’ve posted a few times about how sometimes it is what is left out of a story, as much as what is put in, that can make it compelling, and how that void can fire the imagination.  If that is a measure of how compelling a story is, that we keep thinking about it and imagining what was not explicitly told after we have finished it, then the Epic of Gilgamesh certainly qualifies.  If only its omissions were more intentional.