This fourth exercise calls for 16 unrhymed lines of iambic pentameter. They should use pyrrhic and trochaic substitutions, weak endings, and enjambments.
Poetry Practice, Exercise 3
This exercise has two parts: five pairs of unrhymed iambic pentameter, with the first line being end-stopped and without caesuras, and another five pairs with enjambment and caesuras.
Poetry Practice, Exercise 2
This exercise was intended to be twenty lines of unrhymed, unrelated iambic pentameter.
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