If I had to distill Blindsight down to a single, central theme, it would be that of self. What is the concept of self? How does it relate to the concept of what is human? What is the origin, function, and cost of self-awareness? How does it relate to free will, and does free will exist, or is it merely an illusion? Watts seems to have created the entire novel as a thought experiment to explore these concepts, and he leverages two lenses to accomplish that: the various neuro-atypicalities of his characters, and the distinctively intelligent but unaware aliens. Either of these ideas alone could have easily been the foundation of a compelling novel. Combining them together made this one both more compelling, and more challenging, and is in many ways at the core of my personal dichotomy over Blindsight.
Rather than lamenting the decline of science fiction, we should probably spend time talking about how wonderful Rocheworld is, and why you should absolutely go find a copy as soon as possible. Granted, that may be a little difficult, because it's no longer in print. However, I was able to find a lightly used copy without much difficulty, so I imagine you can, too. Just be sure you look for the complete Rocheworld, and not one of the earlier versions, sometimes titled Flight of the Dragonfly. The book is from back in the days when many science fiction novels were published in short, serialized form in magazines, so Flight of the Dragonfly is about a hundred thousand words shorter than the complete Rocheworld.
If I had to describe this story, I would probably say that it's whimsical surrealism in a science-fiction context, with elements of horror and metaphysics. It is, most certainly, weird. Whatever else it is, that last might be the only completely accurate descriptor, and it is still a really compelling story. Whatever meaning you decide to take, or not take, from The Hunt, I hope that you consider giving it a read soon. Available right here at IGCPublishing.com.
The world is a dangerous place. That's true any time, and at any point in history, but certainly this year the point has been emphasized repeatedly. Although it is often easy to imagine that either it is hubris to think that we live in important times, or alternatively that what is happening right now must be a matter of grave and unprecedented significance, the objective truth is that this year has already seen more uncertainty and tumult than usual. So, naturally, I read a book written to scare people.
I love classic, hard science fiction (we've talked about the difference between hard and soft science fiction before). Verne, Wells, Asimov: I've read most of what they wrote. These stories, exploring scientifically rigorous possibilities and ideas, hold a unique place in the huge volume of work classified as science fiction. To use the MICE quotient, these are idea stories, through and through. I'd heard about Ringworld in a few different places, and decided that this was something I needed to read.