With a title like that, you’re probably expecting a how to write type of post, walking through the disparate functions, actions, and reactions of the narrative structure. That’s not what it’s going to be about, but I wasn’t able to come up with a better title. I think that you’ll understand once you’ve read it. This is one of my occasional writing philosophy posts, although in this case it’s actually drifting more into the realm of just straight philosophy. The premise: the narrative is the quantum mechanics of human beings.
The Left Hand of Darkness Review
There are certain novels that you can read again and again, and you’ll always get something a little different out of them. It can be because you’re at a different point in your life, or because you’ve read other things and are approaching the story with a different context, or simply because the story is that intricate and beautifully written that, like any other great work of art, there are always more mysteries to be revealed. When it comes to literature, these are often the books that first got you into the genre, and that you come back to time and time again. These are the books that are thumbed through and dog-eared and well-worn. There might be pages trying to fall out, maybe even a tear here and there. These are well loved books.
Lost in Translation
No, I'm not above using cliche titles, when they serve me. Because I'm so very fond of stirring up controversy, I'm going to talk about something that divides more people than religion, politics, or the Great Pumpkin: movie/book adaptations. Fair warning: we're going to talk about some big name franchises, including Harry Potter, Star Wars, The Lord of the Rings, Star Trek, Jurassic Park, and others, so if you don't want to risk potential spoilers from either the book or movie versions of any of these, you might not want to read this post. Otherwise, let's mire ourselves in controversy.
Where’s the Science Fiction?
Broadly, I classify my writing as speculative fiction, which includes the genres that are typically shelves under both the fantasy, and science fiction categories. Yet, you will notice that the majority of my works, both published so far on the site, and in progress, fall in the fantasy genre. Considering that my "real" job involves working with advanced, experimental satellites, that might seem somewhat counter-intuitive, and indeed I've gotten a lot of questions recently about why I don't write more science fiction. So, I've decided to try to provide an answer, other than the fact that I'm not nearly as skilled or imaginative, to why I'm not the next Isaac Asimov.
Unsouled Review
Unsouled, and the Cradle series as a whole, is described as something called martial arts fantasy. The magic system has defined levels of skill, with each skill level gaining distinct abilities and possessing unique attributes. It's not a design that I generally prefer, but it worked well in Unsouled. Which matters, because Unsouled is not necessarily the kind of book that you read for the compelling characters or political drama. You read it for the vivid magical fights.
DUNE Review
Ultra-tough, misunderstood desert cultures can be a slightly overused trope in fantasy writing, especially alternative world fantasy. They often crop up as the much-needed army for the beset hero, at just the right time, after the hero properly impresses them and meets some ancient prophecy. It might be that the origin of this tendency lies with DUNE.
Genre Jargon
Speculative fiction, broadly, includes the stories that are typically classified as science fiction and fantasy, but if you've written in the genre realm for long, you may have noticed that the terminology employed by libraries and other sources to classify genre fiction is somewhat limited. Maybe we genre writers aren't as "serious" as the "real" authors, but that hasn't stopped us from developing our own terminology to help describe our works. Since I think that many of these terms would be useful for both readers and writers to know, I've sought to describe some of them below.
