Rather than hidden worlds of magic or mythical creatures hidden away from humanity, all that wonder (and horror) is still right here, a part of the world, and you might stumble upon the path to the lands of the dead as readily as you might take the turn right out of your neighborhood instead of left.
The Brothers Grimm: A Biography Review
Bringhurst and Zolbrod approach the discussion thoughtfully, and I’ve written in conversation with their thoughts on the matter; Schmiesing clearly has opinions on the matter, but they don’t come across in the text as fully formed, and she engages with the matter shallowly, passing slantwise judgements on the Grimms’ editorial decisions and their intersection with contemporary and modern mores, without engaging in a deeper analysis.
Canterbury Tales Review
More even than other historical works, it is a true portal to the past, replete with everything that implies for the historian, the author, the worldbuilder, and the simply curious.
Author’s Voice and Oral Literature
I propose that author’s voice arises from the particular authorial idiosyncrasies that make the story distinct to how a given author would tell it, as compared to how any other author might attempt to convey the same story elements.
A Story as Sharp as a Knife Review
The book spends more time on Bringhurst’s analysis, philosophizing, and linguistic and cultural musings than it does actually presenting Haida stories.
Dispelling Myths about Mythology
Myth is a way of interacting with the world via story, and is as dynamic as the people who tell the stories, whether oral, written, or in any other form. Stories are not themselves the myth – the myth arises from the conversation between stories set within its ecosystem.
Wisdom Sits in Places Review
I was left pondering this idea of perception and the environment, too nebulous as yet for me to fully express it myself. Wisdom Sits in Places is the answer for which I did not realize I was looking.
Two-Way Storytelling
It took growing my confidence as a writer, and reflecting on oral storytelling traditions and the performative nature of language, to realize that storytelling isn’t a one-way street, that I am not so much telling a story, dictating it via text, as I am sharing it with a fellow traveler along the journey that the story describes.
Reflections on the Performative Nature of Language
When we consider the organic and evolving nature of language, it becomes clear that the medium in which we as writers work is at once both a static means of information storage, and a dynamic, independent artform allowing the author to engage in a unique interaction with each reader.
Diné Bahaneʼ Review
When I eventually came across Diné Bahaneʼ, billed as the Navajo creation story, it immediately went on my reading list, and I was even more excited when I began the book. Not only is Diné Bahaneʼ exactly what it claims to be, it is also a serious, scholarly treatment of the story, as accurately translated from an oral tradition as Zolbrod could manage.
IGC Publishing 