new and non-Shannara, I was therefore skeptical, but intrigued. Perhaps the only notable non-Shannara works he has published are The Magic Kingdom of Landover series, which I thoroughly enjoyed. It was my hope that Child of Light would tap into whatever had enabled Landover. Unfortunately, my hopes were misplaced, and Child of Light proved to be anything but fresh.
Supposedly, that's the end of Shannara. Terry Brooks claims that The Last Druid was the latest he intends to go in the in-world timeline. This series was supposed to radically alter the Four Lands forever, and I was expecting something big. The first couple of books were promising, with the Skaar invasion and the fall of the current Druid Order (the Fifth?); the Skaar were such a compelling, dominant force that it seemed certain that they were going to be in the Four Lands to stay.
As I mentioned in my other Fall of Shannara reviews, it is difficult to separate out a single book to discuss it when that book is a part of a series that is part of a saga stretching over decades of real world time and dozens of installments, but I will do my best. This book, quite frankly, had enormous shoes to fill: it had to be a good book in and of itself, it had to be a satisfying conclusion to the Fall of Shannara series, and it had to be a pleasing ending to the entire Shannara series. Next week, we'll do a review that covers how it did in the latter two categories, but I will do my best in this post to constrain myself to looking just at this piece.
In the previous two books in this series, a lot of time was spent bringing players into place and setting up introductions. There is plenty of action, but it all retains a fairly light touch - there is a sense that, although things are happening and changes are occurring, nothing really major has changed yet, and anything that has changed is not necessarily permanent. This is common in series, when you start to look at them holistically; it takes time and words to put all of the characters into the places they need to be for the plot to start really picking up. With The Stiehl Assassin, the plot definitely accelerates.
There's something vaguely amusing about the fact that as I go through and read The Fall of Shannara series, I find myself most interested by, and rooting for, the invading Skaar and their hyper-competent Princess Ajin. It's not that I don't like the other characters (most of them, anyway), or that Brooks hasn't done a good job at making them sympathetic. To me, though, Princess Ajin is exactly what the best characters should be.
Where do I even start with a Shannara review? Shannara is epic fantasy in the very literal sense of the word, spanning hundreds of years of in-world history across myriad series and trilogies and stand-alone novels. Perhaps Brandon Sanderson's Cosmere may eventually be larger in literary scope, but even that will likely not sprawl so much as Shannara. Where a series like Wheel of Time covers a single story arc, Shannara has era, ages, and dozens of independent arcs. Sometimes, one has to wonder if Terry Brooks can bring himself to write anything that isn't Shannara: supposedly his Knight of the Word trilogy began as something new, and morphed into a prelude to Shannara.
No, I'm not above using cliche titles, when they serve me. Because I'm so very fond of stirring up controversy, I'm going to talk about something that divides more people than religion, politics, or the Great Pumpkin: movie/book adaptations. Fair warning: we're going to talk about some big name franchises, including Harry Potter, Star Wars, The Lord of the Rings, Star Trek, Jurassic Park, and others, so if you don't want to risk potential spoilers from either the book or movie versions of any of these, you might not want to read this post. Otherwise, let's mire ourselves in controversy.
Looking back, I realize that I kind of blasted Blackflame. I stand by my critiques, but it really was a book worth reading, and I certainly wouldn't want its possible missteps to dissuade you from reading Skysworn, because this fourth book in the Cradle series was exactly what the series needed.
Unsouled, and the Cradle series as a whole, is described as something called martial arts fantasy. The magic system has defined levels of skill, with each skill level gaining distinct abilities and possessing unique attributes. It's not a design that I generally prefer, but it worked well in Unsouled. Which matters, because Unsouled is not necessarily the kind of book that you read for the compelling characters or political drama. You read it for the vivid magical fights.
The Unfettered anthologies are collections of short stories collected and set forth by Shawn Speakman, and are something of a "who's who" of fantasy writers. Genre heavyweights like Terry Brooks, Brandon Sanderson, Patrick Rothfuss, and dozens of others have contributed stories to the anthologies since the first Unfettered was released.