I’ve said it many times on the site: I have something of a love affair with the English language. Where some people moan over homonyms and homophones, or grumble about synonyms and antonyms, or the fact that tenses are so erratic, to me they are features, not flaws.
Blood Magic S1:E8: Who’s Afraid of the Dark? Re-Release
Aside from cleaning up continuity, I also made some minor technical changes to things like sentence structures, and word choice. Changes or no changes, I really enjoy this episode, and I am pleased to present it to you.
Blood Magic S2:E7: Contaminant, Part Two Release
how much I struggled with the writing, and why that was. I won’t rehash those difficulties here, but the result was that I was put far behind on my writing for this episode, barely even starting it before the month began. Plus, part two proved to have its own difficulties, some related to the troubles with the first part, and some entirely original, which led me to even write August’s episode out of order (which you will read about when episode twenty goes live next month). The short version of this post: Contaminant would really benefit from my new staging revisions methodology.
Trail to Keyboard
This is my main solution when I'm struggling with a story and not sure where it's going to go next or what to write for a new scene. Usually, by the time that I return from a ten mile run, I've not only determined how I will solve whatever problem I was originally struggling with; I've also determined what will fill the several chapters or sequences, and it's often better than what I would have come up with just by sitting down at the keyboard and stewing over the text. Nor is this necessarily restricted to stories and writing, as I've used the same technique to help me develop solutions to all kinds of problems and stresses and challenges in my life: intellectual, personal, and practical. But that's beyond the scope of this post.
Blood Magic S1:E7: Cracks In the Ice Re-Release
ideas to explore in the series is the titular concept of Blood Magic, and how that power and associated religion interact with the world, and the world with it. Cracks In the Ice dives deeply into that interplay, with is probably why I enjoy the episode as much as I do. Going through my pre-revision re-read, I simply thoroughly enjoyed this episode. It combines interesting world-building with strong character development, and advances the overall plot of the series while still being episodic. I would go so far as to claim it is one of the strongest episodes in season one.
Make Anachronisms a Thing of the Past
I don't actually know how much this post will help you in ridding your works of pesky anachronisms, but the title just seemed to clever to resist. If you're not already familiar, an anachronism is a literary, spatial or temporal (usually temporal) transplant. A detail, a phrase, an expression, a device, or really anything else could be an anachronism; most commonly these are stock expressions or devices of our own time that we accidentally put into our works. Nor are they unique to literature, as there are plenty of examples in movies and other media. For instance, perhaps a period movie might show cars from a later model year driving around in the background. Or my personal favorite, when an author or screenwriter has archers "fire" their arrows, an expression which could not predate the advent of firearms. This last one even made its way into The Lord of the Rings movies (notably during the battle at Helm's Deep).
Agency
It's almost considered too blunt to say that someone died. Instead, we might say that they passed away, or that they passed on, or that they lost or gave their lives. Some might argue that the difference between those wordings is slight, incidental, even meaningless. After all, in cold facts the end result is the same. Yet those words are different, they mean different things, and we use one or the other to convey different meanings - this is especially true of the last two examples. The difference between losing a life and giving a life may be subtle, and yet it makes such a difference in how the person and the event is perceived. One makes the death a tragedy. The other makes it heroic, because it expresses that there was a choice involved, it gives the individual agency.
Criticism
Criticism is a vital part of literature, and for that matter most fields. Active, reasoned critiques help identify weaknesses and strengths, provide multiple interpretations and perspectives on disparate matters, and foster improvement, perhaps more than anything else. They are just as essential to individuals; critical feedback is immensely helpful to improving oneself in any number of aspects, whether that's a specific ability, or more generally. It is something that we are encouraged to actively seek out in order to understand how our work and how we are perceived and received by others. Unfortunately, it is also something that I struggle with receiving.
Nevia’s Curse
For once, I actually managed to write a true short story; this particular piece comes in under six thousand words (barely), unlike most of the Blood Magic "short" stories, which hover around ten thousand words. It was a quick write for me, and will probably be a quick read for you. There aren't even any section breaks, and all of the action takes place in a single day. It's very much a read in one sitting kind of piece.
Why Fantasy Authors Should Go Backpacking More Often
The point at which I'm driving is this: most depictions of people walking from place to place in fantasy books are terribly unrealistic. For a start, very rarely do they carry any gear with them, though they often are described as preparing gear, or having gear. But how are they carrying it? Where are the sore shoulders and sweaty backs and the sense of being about the float away when you finally take off your pack at the end of the day? Then they proceed to cover thirty miles in a day, and are promptly ready to get up and do it again the following day.
