The Naming Review

I read a lot, and I’ve been reading for a long time, especially in the fantasy genre, but something I’ve noticed since I began to make a deliberate study of writing in order to improve my own storytelling is that I've become much more critical of what I read.

Stalin Review

We can learn the history of a time, place, or person without reading a biography. Biographies are fundamentally personal, and why should we desire to spend time in the company of someone considered one of history's villains? In most cases, I think that the answer is a desire to understand.

Dreadgod Review

Wight’s writing in Cradle is dynamic and rapid, matching his prodigious and aggressive release timeline.  That is not a bad thing, and is a key feature of his style, but I do often find that I wish he would slow down and develop his stories and ideas further.

The Oresteia Review

The Oresteia merits a special entry because it survives in its entire trilogy form, which is apparently unique amongst the Greek tragedies which are preserved (although some scholars believe that these three-part tragedies were supposed to be completed by a fourth comedic part).  The story is full of twists, turns, and, certainly, tragedy.