Perfume Review

Grenouille’s olfactory abilities fit the trope of the defining superhero trait, as does his tragic backstory, his painful and challenging training arc, and his inability to fit into normal society, but he is no hero, protecting eighteenth century Paris from crimes with his beyond-bloodhound sniffer as some manner of odor-based vigilante.

War and Peace Review

It luxuriates, meandering through lives and small events that stack up into occasional flashes of intense conflict.  Instead of following a central plot thread all the way through in a direct fashion, as a modern novel would, Tolstoy leads the reader on a winding path that, while you’re walking it, can feel unfocused, but that somehow still conveys a sense of progress.

The Gates of Athens Review

Maybe it’s because Herodotus is so aptly referred to as “history’s screenwriter,” but I was less impressed by Iggulden’s interpretation of the events in The Gates of Athens than I was with his interpretation of Xenophon’s adventures. Where the story he told of Xenophon’s exploits was very faithful to the history, The Gates of Athens seemed to include a lot more supposition on Iggulden’s part, mostly to add interpersonal drama. Yet he is telling a story about some of the most dramatic moments in recorded history, and I wonder if added drama is really necessary.

The Abbot’s Tale Review

The Abbot’s Tale, though, is something different, and in this Iggulden is serving more as a translator than a writer, or even a researcher.  It is drawn almost entirely from a surviving manuscript written by Dunstan, a tenth century English monk, and the titular protagonist of The Abbot’s Tale.  That manuscript is a sort of memoir or maybe a personal confessional, and it is clear that the original author never intended for it to be read, or even to survive.