These terms we use – first person, second person (please don’t use second person), third person limited, third person omniscient – are an easy shorthand to describe how we are choosing to approach narration in a given piece. The more I work with different approaches to viewpoint and storytelling, though, the more important I think it is that the description come after the choice of viewpoint.
Author’s Voice and Oral Literature
I propose that author’s voice arises from the particular authorial idiosyncrasies that make the story distinct to how a given author would tell it, as compared to how any other author might attempt to convey the same story elements.
IGC Publishing 