Not my thoughts, for once - I subject you to more than enough of those in the Tuesday blog posts. No, this Saturday I wanted to share with you an article Brandon Sanderson wrote in response to his recent, and unprecedented, Kickstarter campaign.
Everything is offensive to someone. I recall an incident when I held the door for someone following me into a room and was thence accused of "perpetuating an oppressive patriarchy," despite the fact that I had also just held the door for three other people of various descriptions. We can choose whether or not to be offended by something, which is why I'm rarely offended - it just isn't worth the effort most of the time. When you are able to look at things from a variety of perspectives, you can usually find perspectives from which a thing is offensive, and at least as many from which it is not. That is a matter of personal choice. Unfortunately, Dr. Seuss Enterprises has decided that the choice should rest with them, not readers.
Blood Magic S2:E2: Witch’s Heir Release
I hope that you've been following along with Blood Magic this year, because it's already been pretty exciting. I'm very pleased with how the revised editions of the first season episodes are coming together (revised versions of the first two episodes of season one should now be live here on the site), and the first two episodes of the second season have been pretty strong, as well. At least, I think so, which is mostly based on how the writing process went for them. Usually, that's a decent guide.
Blood Magic S2:E1: Flailing in the Dark Release
I am very excited to present to you the first episode of a brand new season of Blood Magic, the short story series that I've been publishing for over a year now on IGC Publishing to minimal fanfare. If you're not already familiar with it, I encourage you to go over to the main Blood Magic page or any of my myriad posts on the subject to learn more. Better yet, I encourage you to start at the beginning, and read the first episode. We even have a newly revised edition here on the site, newly re-released for 2021.
Despite the fact that I run a website, and encourage people to share said website on social media platforms and with their friends, families, and enemies, I personally live under a bit of a digital rock. Though that's really an understatement - it's probably a digital boulder - but I couldn't resist putting in that subtle "bit" pun. Even though I know that engaging on social media is among the best ways for me to continue growing the audience for IGC Publishing, I just haven't been able to bring myself to do it.
If I had to describe this story, I would probably say that it's whimsical surrealism in a science-fiction context, with elements of horror and metaphysics. It is, most certainly, weird. Whatever else it is, that last might be the only completely accurate descriptor, and it is still a really compelling story. Whatever meaning you decide to take, or not take, from The Hunt, I hope that you consider giving it a read soon. Available right here at IGCPublishing.com.
Blood Magic Episode 2 Preview
If you recall, these episodes go live at the end of each month, so we're gearing up already for the launch of the second story in the series, titled Here There Be Dragons? Just in case you weren't eagerly awaiting it because you didn't get enough Blood Magic in the first episode, here's a preview of what you might see in the second one.
Blood Magic Series Update
There's still a lot of work that needs to be done. I've made two drafts of the world map, but it still needs refinement: mountain ranges, river systems, political boundaries...you know, the little things. I also have a preliminary symbol for the series, which you can see on the main Blood Magic page. Expect me to start releasing previews for the series in the coming weeks...hopefully they'll drum up some reader excitement.
There is a reason that this site is called "IGC Publishing." Despite the online format, I'm largely modeling my efforts after traditional publishing methods, wherein I go through the steps of writing a story, advertising it, formatting it, building the front and back matter, and then selling the story as a stand-alone piece of work, available for download at a prescribed price point. That is, I am treating my stories as products.
With most of my writing, I tend to be a post-outliner. I'll discovery write my way through a piece, and then go back and outline it in detail before embarking on the revision process. Ever since I did a massive outline for a world and then had no story to tell in it, I've found … Continue reading Outlining