Though I've read Timothy Zahn before, and enjoyed his books, this wasn't a book that I sought ought to read. In fact, it wasn't even on my extensive reading list. After finishing Back to Methuselah, nothing on my reading list was really calling out to me to be read, and I happened to see that this piece was in Prime reading on Kindle, which meant I could read it for free. A short, free, light read seemed the perfect thing coming off of a heavier piece like Back to Methuselah, while trying to think of what I actually wanted to read next.
No, I'm not above using cliche titles, when they serve me. Because I'm so very fond of stirring up controversy, I'm going to talk about something that divides more people than religion, politics, or the Great Pumpkin: movie/book adaptations. Fair warning: we're going to talk about some big name franchises, including Harry Potter, Star Wars, The Lord of the Rings, Star Trek, Jurassic Park, and others, so if you don't want to risk potential spoilers from either the book or movie versions of any of these, you might not want to read this post. Otherwise, let's mire ourselves in controversy.
This is in some ways a continuation post to an earlier post I wrote about being written into a corner. With the recent release of the Rise of Skywalker trailer, I think we need to talk about something. Specifically, I think we need to talk about The Last Jedi.
Ultra-tough, misunderstood desert cultures can be a slightly overused trope in fantasy writing, especially alternative world fantasy. They often crop up as the much-needed army for the beset hero, at just the right time, after the hero properly impresses them and meets some ancient prophecy. It might be that the origin of this tendency lies with DUNE.
Speculative fiction, broadly, includes the stories that are typically classified as science fiction and fantasy, but if you've written in the genre realm for long, you may have noticed that the terminology employed by libraries and other sources to classify genre fiction is somewhat limited. Maybe we genre writers aren't as "serious" as the "real" authors, but that hasn't stopped us from developing our own terminology to help describe our works. Since I think that many of these terms would be useful for both readers and writers to know, I've sought to describe some of them below.