Wight’s writing in Cradle is dynamic and rapid, matching his prodigious and aggressive release timeline. That is not a bad thing, and is a key feature of his style, but I do often find that I wish he would slow down and develop his stories and ideas further.
Will Wight’s Cradle series might be my current guilty pleasure read. These fast, light, action-packed, “martial arts” fantasy novels aren’t Brandon Sanderson masterpieces that will massively alter my understanding of how to write fantasy, they aren’t four thousand year old tomes of philosophy or history, they aren’t detailed technical analyses of obscure mathematical theorems (a textbook on the disc embedding theorem might hold the prize for the strangest book currently on my reading list), but every time a new one comes out (which happens with impressive frequency), I get a copy within weeks, and read it within days.
Not to be confused with Bloodline, by Conn Iggulden, which we reviewed last year. I'm sure that won't confuse the search algorithms for the site at all. This happens to also be the first book whose title is not strongly reflected by a component in the book; the closest I came up with for the name's inspiration was a vision Lindon has at almost the end of the novel. All of that, however, is getting ahead of ourselves; the relevancy of the title was far from the only thing different about this latest instalment in the Cradle series (I will link to the reviews for the previous books in the series at the bottom of the post).
I've said it before, but I'll say it again: I try very hard to read broadly. For the most part, I enjoy the books that I read, even the ones that are outside what I'll call my core genres. This especially true of much of the nonfiction and biographic texts that I consume, all of which come with the added benefit of improving my knowledge just a little bit more. Then there are the times that I return to the core fantasy genre, and I remember why fantasy and science fiction are my true favorite genres. Wintersteel was just the kind of reminder for which I was looking.
The Traveler's Gate Trilogy Review
In a way, you're getting three reviews in one this week, because I'm going to be reviewing the whole Traveler's Gate trilogy in this post, rather than doing a single post per book. That's mostly because I happened to read them all in a single book, but also because I think that's how they're best presented: none are really so long or so contained that they need or should stand on their own. And how I wish that I could have given this three and a half stars, because that's more accurately how I'd rate it. Let's get into why.
This is our last review of a Cradle book, at least for awhile, since there aren't any more currently written. However, this is by no means the last book in the series, so I sincerely hope that Will Wight will be returning to finish the series soon. As amusing as it would be to be able to say that I read this book both first and last in the series, that mild amusement would not come close to balancing out the disappointment of not being able to find out how the series ultimately ends.
I came off of reading Ghostwater especially eager for this sequel, Underlord. Ghostwater provided a substantial amount of imaginative information about the deeper intricacies of the magic system, and I was hopeful that Underlord would give us the chance to see that new knowledge applied. Instead, Underlord gave us insight in an entirely different direction, involving the characters (and by extension us) in the fringes of world-wide political intrigue.
Of all seven Cradle books that have been released so far, Ghostwater was my favorite. This novel delivered on all of the promise that I perceived when I read the first book. It has the most robust character development of the series so far, digs into the technical details of the magic system, instead of just building out to the next level, and it gives insight into some fascinating aspects of the world and the story that have only been alluded to before. Perhaps most strikingly, it is drastically more imaginative than other books in the series, which is a testament more to the level of imagination involved here, than it is an insult to the imaginative level of the other books.
Looking back, I realize that I kind of blasted Blackflame. I stand by my critiques, but it really was a book worth reading, and I certainly wouldn't want its possible missteps to dissuade you from reading Skysworn, because this fourth book in the Cradle series was exactly what the series needed.
Fantasy has been, in recent years, criticized for being too series-dominant. Few authors write stand-alone fantasy novels, and instead you end up with every time you read a new book you end up embroiled in yet another trilogy, of six book series. I suppose that can be frustrating...but not in this case. After reading Unsouled and Soulsmith, I was glad there was another book to read in the Cradle series.