established a social media presence. Granted, that’s only through GoodReads, for the moment, but it’s a (painful) start. If you’re tired of reading my book reviews here on the site, you can also find them posted on GoodReads, along with a list of books I’m intending to read, and a progress bar for books I’m currently reading.
Some of the episodes I've written for Blood Magic have been memorable to me, for one reason or another: the first two because I wrote them and revised them so many times before they became part of this series, the season one finale, Borivat's story in Cracks in the Ice, or even the recent Contaminant. In some cases it might be because of the amount of time I spent on the writing, or how difficult the writing was, or, less commonly, how much I personally enjoy a given episode. Should I admit that I remembered very little about Unbalanced before I did my pre-revision re-read?
inspires strong opinions. Most people, and even many authors, use rules of grammar and understanding of grammar as best practices that help enable clarity of communication. Some people, like me, get a little too fixated on the rules of grammar, like avoiding dangling prepositions. The outlier is a particular part of speech that many people, and not just those who wield the pen on a regular basis, apparently love to hate: adverbs.
series, which rest, in my mind at least, mostly on the shoulders of Kiluron and Doil, with the Blood Magic itself, and the interactions of the characters and plots with it, playing a strong supporting role. This episode was the perfect opportunity to return, as it were, to the roots of Blood Magic. I think you'll find it a better reading experience as a result.
For our purposes in talking about framing stories, we will define the story being framed as the plotlines explored directly by the narrative. To take a well-known example, look at Harry Potter. The plotlines of the character arcs, and combatting Voldemort, are the core story. A framing story could be if there were a line at the beginning or end of the books saying "based upon the diaries of Harry Potter, Wizard." Which takes us conveniently to the next set of definitions we need to supply.
I’ve said it many times on the site: I have something of a love affair with the English language. Where some people moan over homonyms and homophones, or grumble about synonyms and antonyms, or the fact that tenses are so erratic, to me they are features, not flaws.
Aside from cleaning up continuity, I also made some minor technical changes to things like sentence structures, and word choice. Changes or no changes, I really enjoy this episode, and I am pleased to present it to you.
how much I struggled with the writing, and why that was. I won’t rehash those difficulties here, but the result was that I was put far behind on my writing for this episode, barely even starting it before the month began. Plus, part two proved to have its own difficulties, some related to the troubles with the first part, and some entirely original, which led me to even write August’s episode out of order (which you will read about when episode twenty goes live next month). The short version of this post: Contaminant would really benefit from my new staging revisions methodology.
This is my main solution when I'm struggling with a story and not sure where it's going to go next or what to write for a new scene. Usually, by the time that I return from a ten mile run, I've not only determined how I will solve whatever problem I was originally struggling with; I've also determined what will fill the several chapters or sequences, and it's often better than what I would have come up with just by sitting down at the keyboard and stewing over the text. Nor is this necessarily restricted to stories and writing, as I've used the same technique to help me develop solutions to all kinds of problems and stresses and challenges in my life: intellectual, personal, and practical. But that's beyond the scope of this post.
ideas to explore in the series is the titular concept of Blood Magic, and how that power and associated religion interact with the world, and the world with it. Cracks In the Ice dives deeply into that interplay, with is probably why I enjoy the episode as much as I do. Going through my pre-revision re-read, I simply thoroughly enjoyed this episode. It combines interesting world-building with strong character development, and advances the overall plot of the series while still being episodic. I would go so far as to claim it is one of the strongest episodes in season one.