Being specific with what you say might seem important in legal writing, essays, philosophy, and other, less fictional formats, but storytelling is less obvious. If you’ve been paying attention to our posts about word choice, though, you can probably see its relevance.
Judging Your Own Work
I write stories so other people can read them, but I’m the one who must be comfortable having written them.
Intentionality in Storytelling
With only a handful of lines, and a few words in each line, each one of them must bear a larger load for the poem. Everything must be intentional.
Using Stock Phrases
The language we use has meaning and depths we don’t always consciously recognize, and stock phrases often convey meanings and suggestions which we don’t fully recognize and which we probably don’t intend when we deploy them in our writing.
Memories Like Roses Author’s Note and Release
Memories Like Roses is an initial attempt to capture some of those thoughts in story form, to explore the inherent conflict that seems present in translation through the medium of storytelling. Somehow, I doubt it will be my last word on the subject.
A Writing Diversion
I took a break to work on a different novel. No, that’s not a joke, but it is an accident.
Creativity is Overrated
Lewis asserts that medieval artists would see the drive for creativity and originality in art as, not the pinnacle of artistic achievement, but the scraping of the bottom of the artistic barrel.
Ways of Saying
If the first step of the technical writing process is word choice, then this post is about the second step, putting those words together into phrases.
Author’s Voice and Oral Literature
I propose that author’s voice arises from the particular authorial idiosyncrasies that make the story distinct to how a given author would tell it, as compared to how any other author might attempt to convey the same story elements.
The Healing Hand Review
The Healing Hand is a fantastic piece of nonfiction which I think anyone could find interest in, but it should be required reading for anyone writing about wounds in a historical (or secondary world historical) context.
