If you want to tell the story of, say, the rise and fall of a civilization, or even an institution, in a way to fully capture it, you are often left to tell the story of a snapshot of that institution and use it as a lens by which to examine the rest.
Aligning Climaxes
Is there a market for stories that break the expected structure, where the climaxes don’t quite align, and are instead more reflective of the timing we might expect in the “real world?” Perhaps.
Artificial Intelligence in Storytelling
The paper examines the comparative creativity of stories written by people who did not use AI, or who had access to AI.
New Story: The Legend of Meladerth’s Valley
Despite my best efforts, though, I still think about other story ideas, and sometimes they beg to be written.
Intergalactic Update 2024
Would you believe this post recognizes the fifth anniversary of IGC Publishing? I didn’t even realize until I went to look at last year’s update in preparation for writing this year’s, and realized in the process that this would be the fifth update post.
Obscene Storytelling
Think about what it says about your characters and their contexts before you give them the foul mouths we hear around us too often these days.
Nature Writing
In a more recent book, you are more likely to find a stand of trees, or maybe a stand of pine trees, while in an older book, you are more likely to be shown a stand of blue spruces.
Impressions Map
I somehow wrote almost all of Impressions, which features a significant amount of travel for Raven, and lots of luxuriating in the worldbuilding, without even a sketch of a map. Only when my writing group began going through the story did I think to rectify the story’s tardy cartographic situation.
Diagrams in Storytelling
I want to consider what the best way, from a storytelling perspective, is to convey this information to my readers. A diagram or solar system map might work, but it isn’t all that elegant.
Ideal Realism
Rather than grittiness, I see realism in how long it takes to walk from point A to point B, or in the equipment and technologies to which the characters have access and can carry, or the odds that they can reasonably face.
