Balancing a timeline across multiple viewpoints and storylines, and deciding how the viewpoints will be sequenced and presented is all the nonlinearity most stories will necessitate or support. But there are stories where it is appropriate to do something more creative and imaginative.
The Man Who Knew Too Much Review
Modern science is a highly specialized discipline, and scientists are expected to be removed from their experiments. It is not the science of Hooke’s day.
Teaching Fundamentals
At its best, teaching must be a dynamic process. Just like storytelling, even in the written form, is a dialogue between author and reader, teaching is a dialogue between teacher and student, instructor and learner.
Crossroads of Twilight Review
Long series aren’t for everyone, but if you’ve made it this far, I think it’s fair for an author to take advantage of the scope of the form to tell a story in a spanning way that shorter forms couldn’t support.
Creating Room for Creativity
When we are willing to disrupt the status quo, we create space for something new.
Leviticus Review
The rulebook-like nature of Leviticus is probably why you don’t see it referenced or quoted more often, or maybe it’s because people struggle to quote Biblical passages about wave-breasts and heave-thighs with a straight face.
Complexity and Entropy – Two Sides of a Coin?
In the functional information hypothesis, high complexity is not the opposite of high entropy, but more of a different way of looking at the probability or phase space of a system to describe its entropic states.
On Benefits Review
“Benefits” seems to be the most common and literal translation, but you will also see it translated at times as “Charity,” “Generosity,” or “Giving.” One annotated version I came across titled it An Ancient Guide to Giving. Though perhaps less accurate than On Benefits, I think this last might be the most appropriate.
Lengths and Forms
Working within those forms is part of managing reader expectations, which is a key component of making a story appeal to a given reader, but the expectations we have around form and length of stories are not derived from some optimization method synchronized with humanity’s ability to interact with literature.
Life of Marcus Cato the Elder Review
It paints a rather different picture of the famous Roman statesman than is perhaps suggested from simply reading On Agriculture. Quiet descriptions of the infinite utility of cabbage somehow don’t lead one to think of a man who would conclude every public speech with the line “and Carthage must be destroyed.”
