As you hopefully saw in our recent weekly writing update, I finally finished the first draft of Verdon's Tragedy, a side story set in the Fo'Fonas world. Even if revisions go smoothly, I don't expect a release date sooner than December 2022, but I want to share some thoughts about the story and the writing now.
It’s a Not-So-Small World
couple of days, and I will get to my destination quickly, with readily available food, shelter, fuel, and other resources readily available in familiar forms all along the way. I can get in an airplane and fly anywhere in the world with a minimum of effort and time expended. Even more remarkably, I can take out my phone and conduct a live video conference with people in a dozen different countries, and we’ll hardly notice a delay.
It is worth noting that “overpowered” cannot really be defined on an absolute scale. Rather, it is more useful to discuss characters being overpowered on a relative scale. If you make your hero a goddess, and all of her enemies are mere mortals, you don’t have much of a story, but if all of her enemies are also gods and goddesses, then that character is no longer overpowered. This raises the interesting intellectual exercise of trying to write an interesting story about the relationship between two omnipotent and omniscient beings, but I don’t think tiny human brains are adequate for such a task.
We recently announced the upcoming third season of Blood Magic, which will also be the final season, and I promised you in that post some thoughts on what might be coming next. While there’s still more than a year before it will be time for the next thing, that’s not too early to be thinking about it. However, please note that nothing is certain yet, and until I make a formal announcement around this time next year, all of what I say here should just be considered possibilities.
Logically Illogical World-Building
need to have different languages for different cultures, or measurement systems based on the length of the Prime’s big toe, or different calendars that never quite line up properly. It’s your world, and you’re free to design it in as orderly a fashion as you could desire. But you shouldn’t.
Intergalactic Update 2021
established a social media presence. Granted, that’s only through GoodReads, for the moment, but it’s a (painful) start. If you’re tired of reading my book reviews here on the site, you can also find them posted on GoodReads, along with a list of books I’m intending to read, and a progress bar for books I’m currently reading.
Continuing on through the collected works of Xenophon, we next have Hellenica, which much like Herodotus's Histories is intended as a historical narrative. This time, it picks up the account in 411 BCE, and covers about fifty years, to 362 BCE, which is apparently the year of the Battle of Mantineia. Apparently, it picks up the narrative thread of the Peloponnesian War immediately where Thucydides' history abruptly ends (which is also on my reading list, and I only know this because the information was conveniently included in the front of my translation of Hellenica), and may have been written just for his friends as a sort of historical "vanity" publication. Like The Ten Thousand, this is covering a topic to which Xenophon was a contemporary, so it is considered an important primary source, and hopefully has a bit more historical veracity than his not-really biographical treatment of King Cyrus, who founded the Persian Empire.
I'm still very excited about the potential that this world and series holds, and just because I haven't made writing progress recently does not mean that I haven't been thinking about it, which is sometimes almost as useful. For instance, one of the threads I sort of dropped in the rough draft of the first book was the idea of the magic being dangerous to its wielders, and I think I finally solved just what makes it dangerous. It turns out that the "magic" has motivations and desires of its own, or at least an objective that does not necessarily align with that of its users.
Maps and World-Building
I like books with maps in the front, and since you've found a way to a publishing website that primarily focuses these days on fantasy and science fiction, there's a good chance that you share my opinion. Although I'm not a reader who spends hours pouring over the maps at the front, trying to chart out the course that the characters took, or catch the author in a continuity mistake regarding the reasonable travel time between two cities, I do consider a map in the front as a sort of mark of merit. If the author went to the time and trouble to have a map included, then there's a better chance that it's a book I'm going to want to read.
Building the Learning Curve
In any book, the author must introduce the characters, the situation, and the basic elements of the setting, but in fantasy and science fiction you might have a viewpoint character in the first chapter who isn't even human, living on a planet that isn't even in this universe. The very laws of physics might be different, never mind the differences in culture, history, civilization, and everything that goes along with that: systems of measurement, idioms, naming conventions, philosophical principles, mathematics, science...speculative fiction strives to introduce and immerse a reader in a world that might be completely different from that with which we are familiar.