In my mind, one of the most significant drawbacks of the modern education system is its tendency to silo or stovepipe ideas and topics. Yet as I learned in The Substance of Civilization, it was partially the work of Flemish artists that led to the invention of the movable type printing press...
Considering that a lot of classic fantasy genre tropes come from this period and region of history, perhaps that is a bit of an oversight on my part, one that reading Iggulden's Wars of the Roses series has helped me address. In fact, reading these books, combined with some thinking I've been doing recently about plotting, has led me to some interesting reflections. So while this is still a review of the series, I also want to talk a little about those thoughts.
For all of you who were eagerly anticipating my review of the China book, I’m sorry to disappoint you. It’s a pretty heavy book (after all, there’re several thousand years of history to cover), and it’s taking me longer to get through it than I had hoped. This is not helped by having been rather … Continue reading No Review This Week
With this review, I guess I'm writing about writing about writing. At least, I think that's the right number of layers. You know, I've never really had much in the way of formal writing education. I took a grand total of one creative writing course in high school, and I only took one English course of any kind in college. In my defense, my studies of astronautical engineering were somewhat time consuming. However, I've never done a lot of reading about writing, either, especially considering my penchant for teaching myself things by reading books on them.
There's a lot of really good new fantasy on the market right now, but some of it can start to seem derivative, especially if you read a lot of fantasy. It's refreshing, therefore, to come across something new that is also original, and that was the case with The Lies of Locke Lamora, at least to an extent. It was definitely one of the more enjoyable and well-written fantasy books I've read in awhile.
At this point, I'm going to assume that you've already read my reviews for Checkmate and The Ringed Castle, so you should know that this review is going to talk about things like how beautiful Dorothy Dunnett's writing is, how fascinating her tragic antihero is, and how seamlessly the historical context and geopolitical maneuvering is blended with the fictional story of Sir Francis Crawford comte de Lymond and Seveigny, because those characteristics were not unique to the final two books; they were the defining traits of the entire series. One day, I'll have been doing this site long enough that I won't have to shoehorn in reviews of the previous books in the series that I read before the site was up when I do these series reviews, but that isn't today.
Honestly, I'm not even quite sure where to begin reviewing this book (it probably doesn't help that I started reading this series years ago, long before I started consistently reviewing books on this website). I will do a full series review after reviewing Checkmate, but let's focus for now on The Ringed Castle. To put it in as few of words as possible, I loved everything about this book, and not just because my fiancee bought the series for me. It's sort of like what would happen if you took a highly educated Jack Sparrow, and plopped him into the middle of Lord of the Rings level writing, and set the entire thing to the beat of 16th century Russia, but that doesn't even begin to do it justice.
This is our last review of a Cradle book, at least for awhile, since there aren't any more currently written. However, this is by no means the last book in the series, so I sincerely hope that Will Wight will be returning to finish the series soon. As amusing as it would be to be able to say that I read this book both first and last in the series, that mild amusement would not come close to balancing out the disappointment of not being able to find out how the series ultimately ends.
Of all seven Cradle books that have been released so far, Ghostwater was my favorite. This novel delivered on all of the promise that I perceived when I read the first book. It has the most robust character development of the series so far, digs into the technical details of the magic system, instead of just building out to the next level, and it gives insight into some fascinating aspects of the world and the story that have only been alluded to before. Perhaps most strikingly, it is drastically more imaginative than other books in the series, which is a testament more to the level of imagination involved here, than it is an insult to the imaginative level of the other books.
Looking back, I realize that I kind of blasted Blackflame. I stand by my critiques, but it really was a book worth reading, and I certainly wouldn't want its possible missteps to dissuade you from reading Skysworn, because this fourth book in the Cradle series was exactly what the series needed.