Wild Seed Review

This book reminded me of Ursula K Le Guin's writing. Something about the descriptions, the pacing, the plotting, the characters, echoed that author's mode and style. Not that I think Wild Seed is derivative in any way - it is one of the most unique stories I've come across recently - merely that the author happened to have similar style and preferences to Le Guin. Also like Le Guin, Butler takes a fairly common concept - that of immortals interacting with mortals - and follows through on it in a way that makes it compelling and original. This is, in many ways, what I've always wanted to see in a book that tackles that concept.

Blindsight Review

If I had to distill Blindsight down to a single, central theme, it would be that of self. What is the concept of self? How does it relate to the concept of what is human? What is the origin, function, and cost of self-awareness? How does it relate to free will, and does free will exist, or is it merely an illusion? Watts seems to have created the entire novel as a thought experiment to explore these concepts, and he leverages two lenses to accomplish that: the various neuro-atypicalities of his characters, and the distinctively intelligent but unaware aliens. Either of these ideas alone could have easily been the foundation of a compelling novel. Combining them together made this one both more compelling, and more challenging, and is in many ways at the core of my personal dichotomy over Blindsight.

Intergalactic Update 2021

established a social media presence.  Granted, that’s only through GoodReads, for the moment, but it’s a (painful) start.  If you’re tired of reading my book reviews here on the site, you can also find them posted on GoodReads, along with a list of books I’m intending to read, and a progress bar for books I’m currently reading.

Rocheworld Review

Rather than lamenting the decline of science fiction, we should probably spend time talking about how wonderful Rocheworld is, and why you should absolutely go find a copy as soon as possible. Granted, that may be a little difficult, because it's no longer in print. However, I was able to find a lightly used copy without much difficulty, so I imagine you can, too. Just be sure you look for the complete Rocheworld, and not one of the earlier versions, sometimes titled Flight of the Dragonfly. The book is from back in the days when many science fiction novels were published in short, serialized form in magazines, so Flight of the Dragonfly is about a hundred thousand words shorter than the complete Rocheworld.

Dragon and Thief Review

Though I've read Timothy Zahn before, and enjoyed his books, this wasn't a book that I sought ought to read. In fact, it wasn't even on my extensive reading list. After finishing Back to Methuselah, nothing on my reading list was really calling out to me to be read, and I happened to see that this piece was in Prime reading on Kindle, which meant I could read it for free. A short, free, light read seemed the perfect thing coming off of a heavier piece like Back to Methuselah, while trying to think of what I actually wanted to read next.

Back to Methuselah Review

I came across a reference to it when I was looking for the attribution for a quote I was using in an essay for work (that quote is: “You see things; and you say ‘Why?’ But I dream things that never were; and I say ‘Why not?’”, in case you were curious), and thought the brief plot summary sounded interesting, so I added it to my list. This despite thinking to myself "self, in all of the George Bernard Shaw books and plays that you were forced to read in school, you hated precisely all of them. Why would you possibly think that you're going to like this one?"

Building the Learning Curve

In any book, the author must introduce the characters, the situation, and the basic elements of the setting, but in fantasy and science fiction you might have a viewpoint character in the first chapter who isn't even human, living on a planet that isn't even in this universe. The very laws of physics might be different, never mind the differences in culture, history, civilization, and everything that goes along with that: systems of measurement, idioms, naming conventions, philosophical principles, mathematics, science...speculative fiction strives to introduce and immerse a reader in a world that might be completely different from that with which we are familiar.

M.A.C.E. Versus M.I.C.E.

Creative writing, or the speculative fiction genre, has long leveraged something called the MICE quotient. I first came across this when I was reading an Orson Scott Card book on how to write science fiction and fantasy (I think it was even titled How to Write Science Fiction and Fantasy). The premise is that stories in the speculative fiction genre can be broadly binned as having one or more of four, primary drivers: milieu, idea, character, and event. Although most good stories will incorporate multiple of these components, with different ones emphasized at different times, there is usually one that drives the story forward.

Double Star Review

Science fiction seems to have faded. At least, when I go to a library, or a bookstore, or more likely browse the Amazon Kindle library, I find a lot more good, really original fantasy being put out by new names and in modern times than I do science fiction. I can’t claim to know why this might be, but I do know that it hasn’t always been this way; my dad has often said that when he was younger it was the opposite, with fantasy in a kind of rut, and science fiction the blossoming flower. This present situation is perhaps why I find that I read today much for fantasy than I do science fiction, which is really shame, since every time that I pick up one of these older science fiction novels I invariably enjoy it.