if you haven’t heard the phrase “training montage,” you’ve probably encountered one. They are pervasive in modern storytelling, especially in speculative fiction, to the point where the only techniques that might be more overused are prologues and flashbacks. Like prologues and flashbacks, they are overused for a reason, serving several valuable purposes in the narrative process, but so many of them have been done, with only mediocre execution, that the technique itself has become tiresome.
I've said it in every other post about these books so far, but I will say it again: you should read The Lord of the Rings. If you haven't read them, then a) I'm very sorry for the sad life you have heretofore lived, and b) you should read them immediately. If you have read them, then you should reread them. These are the kinds of books that spoil you for everything else that isn't nearly half as good as they are.
I remember having several English teachers, especially early in my schooling, who spent a great deal of time talking about how important a good opening line is. As they likely did for many of you, they called this opening line a “hook,” and explained how the entire fate of the universe, or at least my essay, rests on having a “hook,” a first line that will draw readers in and make them desperately excited to learn more about what I have to say on such fascinating topics as Lyme’s disease, Abraham Lincoln’s boyhood home, or the intelligence of dolphins.
I'm glad that Stormlight books don't come out too often. For one thing, I want to savor the experience and thrill of new books in this amazing series. For another, I would be much less productive at any task besides reading them. Rhythm of War, the newest installment in the series, was full of just as much emotional poignancy and compelling storytelling as the previous books in the Stormlight Archive. It broadened the scope of the world and the conflict in entirely new directions, it was full of twists (a few of which even I didn't predict), and just as it went about answering key questions about the plot and the world, it raised even more.
If you’ve been following along over the past few reviews, you probably won’t be surprised by another rave review for a Stormlight book. To be honest, I probably have a somewhat unhealthy obsessions with these books. There are plenty of books that I enjoy, and stories that I will happily reread and have a new experience with each time, but my experience with this series is on a different level. Maybe it’s the philosophical questions it confronts, or maybe it’s the incredibly imaginative and vividly detailed world, or maybe it’s the compellingly flawed, fascinating, and terribly relatable characters. Whatever the case, Oathbringer continues to be, to my mind, the gold standard for what epic fantasy ought to be.
We may have talked about "second book syndrome" before on the site. If you've read, or even watched, many series, you've probably noticed it: the first installment comes out strong, and then the second falters a little before things improve again in the third. By no means is this universal, but it is common enough to be remarkable, which is why we're remarking on it. Whether it's the result of the author trying too hard to replicate the success of the first book, or the fact that the pacing of a second book can feel a little like the pacing of the middle of a novel, which is always the hardest to keep interesting, second books often falter. Not Words of Radiance, which takes what made The Way of Kings fantastic, and built upon it to create a sequel worthy of the Stormlight Archive.
Technically, this is not a new book to me. In fact, this is at least my fifth time reading The Way of Kings. It is one of my go-to books when life looks particularly bleak, or when I need to remind myself of what epic fantasy should be. This time, my excuse for rereading was the release of the newest installment in this series, Rhythm of War. I don't do that for all series, especially not ones with which I am already as familiar as I am with Stormlight Archive, but these books are simply so good that it makes a great excuse. Since I have not yet reviewed the books here on the site, I decided it was also an appropriate time to rectify that gross negligence.
To be perfectly honest, I did not have high expectations when I picked up Skyward. But it did say Sanderson on the cover, so I did eventually read Skyward. I have to say this was a case of not judging a book by its summary, because Skyward genuinely did draw me in, and I found it to be a unique, compelling story. So when Starsight came out, I may have wished a little that he had been working on Stormlight Archives, instead, but I was eager to read this second installment in the series.