The separation between morality and law is something that has long fascinated me. It's a similar question to Socrates' famous query: "is conduct right because the Gods demand it, or do the Gods demand it because it is right?"
Overpowered Characters
It is worth noting that “overpowered” cannot really be defined on an absolute scale. Rather, it is more useful to discuss characters being overpowered on a relative scale. If you make your hero a goddess, and all of her enemies are mere mortals, you don’t have much of a story, but if all of her enemies are also gods and goddesses, then that character is no longer overpowered. This raises the interesting intellectual exercise of trying to write an interesting story about the relationship between two omnipotent and omniscient beings, but I don’t think tiny human brains are adequate for such a task.
Art of Rhetoric Review
I was a little worried, going into my reading of Aristotle’s The Art of Rhetoric, and subsequently The Poetics, that these classic texts might also fall into that category, where they are lauded for their continued relevance mostly because they are so general that they can hardly fail to be relevant.
Training Montages
if you haven’t heard the phrase “training montage,” you’ve probably encountered one. They are pervasive in modern storytelling, especially in speculative fiction, to the point where the only techniques that might be more overused are prologues and flashbacks. Like prologues and flashbacks, they are overused for a reason, serving several valuable purposes in the narrative process, but so many of them have been done, with only mediocre execution, that the technique itself has become tiresome.
Blood Magic S3:E1: Shards of Glass Release
Writing the first episode of season three as a denouement for the Pifechan invasion made a lot of sense. Unfortunately, it left me with a small problem: plot. More specifically, it left me with a profound lack of plot.
Blood Magic S2:E1: Flailing in the Dark Re-Release
For the most part, revisions to season two episodes are going to consist (I hope) almost exclusively of editing functions, rather than substantial revisions, and as such I doubt that I will have many original and interesting observations to include in these re-release posts.
Parenting is a Contact Sport Review
Like many nonfiction books, including several that we’ve reviewed here on the site, Parenting Is a Contact Sport suffered from a severe case of repetition. It wasn’t a long book, but however many tens of thousands of words it contained, I could pretty much communicate the same message in a single sentence: have a relationship with your children. All of the chapters, all of the awkwardly personal anecdotes that were supposed to be hacking my brain and convincing me of the author’s message, could really have been reduced to just that statement. Granted, some elaboration is useful, but I really don’t think that quite so many words needed to be used.
Youth Characters
realistic, sympathetic, capable, and not-terribly-annoying youthful characters, of which the failure of Wesley Crusher (from Star Trek: The Next Generation) as a character – good in concept, but poor in execution – is emblematic. It’s something that I’ve been thinking about recently because I’ve experienced several poorly done youthful characters in recent media I’ve consumed, and because I’ve been thinking about a character in Fo’Fonas (Wraith/Revia, for those few of you who have read the rough draft). I was even thinking about it enough to read a book on parenting, but more on that in this week’s review.
Blood Magic S2:E12: Pifecha, Part Two Release
down now, because the second part of Pifecha, season two’s finale, ended up almost twice the length of a typical episode. Putting the two parts together, we have a very respectable novella-length story. I mention this, because the increasing length was among my biggest concerns as I was writing the final episode. That might seem silly when I publish these on my own website and am beholden to no one as far as word counts go, but the fact is that word count is an important indicator of pacing and plotting considerations.
The Castle of Otranto Review
is how it came to be added to my reading list. However, to be more specific, it is one of the earliest works of Gothic horror, more a precursor to Mary Shelly's Frankenstein than it is to The Lord of the Rings. That is not a genre that I tend to favor, but the idea of reading an early work of speculative fiction was intriguing to allow me to look past that element.
IGC Publishing 