The Steerswoman Review

A scene early on, when Rowan attempts to explain how objects fall, and accidentally constructs the Newton’s Canon thought experiment captures the mood of the story, the temperament of the protagonist, and, when I read it, captured my attention for the remainder of the book.

Why War

The point is not in the specifics, but in prompting you (and me) to consider these things when we write.  I’ve said it many times, and I’ll continue saying it; the most important decisions you make in your story might be the ones that you don’t even realize you’re making.

New Old Stories

It is reductionist and unimaginative to contend that there are no new stories to tell, akin to the assertions that history is just a cycle that repeats itself. As long as there are new people, as long as the world is changing and entropy hasn’t prevailed throughout the universe, there will be new stories.

Two-Way Storytelling

It took growing my confidence as a writer, and reflecting on oral storytelling traditions and the performative nature of language, to realize that storytelling isn’t a one-way street, that I am not so much telling a story, dictating it via text, as I am sharing it with a fellow traveler along the journey that the story describes.