ideas to explore in the series is the titular concept of Blood Magic, and how that power and associated religion interact with the world, and the world with it. Cracks In the Ice dives deeply into that interplay, with is probably why I enjoy the episode as much as I do. Going through my pre-revision re-read, I simply thoroughly enjoyed this episode. It combines interesting world-building with strong character development, and advances the overall plot of the series while still being episodic. I would go so far as to claim it is one of the strongest episodes in season one.
From his seat in the rearranged great hall, Kiluron sat beside Doil and watched the performers, who had to be the least interesting performers Kiluron had ever witnessed. The customary furnishings of the great hall had all been cleared away, a raised platform had been erected, seating in a special, semicircular arrangement had been set forth, and odd panels and long bunches of thick, dark, heavy cloth had been hung erratically all through the chamber, all at the request of a woman who had so far spent the entirety of the performance standing with her back to her noble audience. At least the other performers were all facing the correct direction, more or less focused upon the woman who led them, but they had spent the whole time thus far sitting mostly still and make a dreadful din upon their instruments. Admittedly, the performance had only begun a few moments before, but so far Kiluron was not impressed.
There have been so many different takes on dragons over the years (and, indeed, centuries), and I have read so many different books about dragons, that you would think that I would eventually get tired of them, or stop finding books that have anything really original to add to the topic. You might think that, but you would be wrong; it seems that there will always be more stories to tell about these majestic creatures in all of their various forms, which for some reason loom so large in our imaginations. Dragon's Blood is another fine contribution to the massive body of human literature on the compelling subject of dragons.
I really wanted to like this book. I thought going in that I would like this book, because it seemed to have so many things that I look for in new fantasy novels: originality, unusual inspirations, intriguing characters with conflicting and mysterious motivations, really unique world and magic, et cetera. In fact, I wanted to like this book so much that I managed to convince myself to keep reading through to the end, despite the fact that at least once per chapter I was about ready to put it down, so I guess you could say that's a testament to it being a better novel than my rating would imply, since it kept giving me just enough of what I liked to keep me from walking away from it in disgust.
I've said it in every other post about these books so far, but I will say it again: you should read The Lord of the Rings. If you haven't read them, then a) I'm very sorry for the sad life you have heretofore lived, and b) you should read them immediately. If you have read them, then you should reread them. These are the kinds of books that spoil you for everything else that isn't nearly half as good as they are.
The point at which I'm driving is this: most depictions of people walking from place to place in fantasy books are terribly unrealistic. For a start, very rarely do they carry any gear with them, though they often are described as preparing gear, or having gear. But how are they carrying it? Where are the sore shoulders and sweaty backs and the sense of being about the float away when you finally take off your pack at the end of the day? Then they proceed to cover thirty miles in a day, and are promptly ready to get up and do it again the following day.
As I said in my review of The Hobbit, during this reread I was surprised by how light that novel is; I suspect that my memory of its tone from my last reading was affected by my intermediate viewing of the movies. Or, perhaps I was merely linking it with the core Lord of the Rings books, which very quickly take on a markedly different tone from their prequel (and yes, I know that technically there is just one "book," which was split into three parts for the convenience of readers and publishers). The implications of a darker turn are heavy throughout even the early chapters of The Fellowship of the Ring, but are pivotally confirmed with the events of the chapter A Knife in the Dark.
Finally, I am undertaking my re-read of The Hobbit and The Lord of the Rings. There are certain books that are always worth re-reading, no matter how many times I may have read them before, and these most definitely make that list. Since this is the first time I'm re-reading them since I started posting reviews here on the site, I think it is only appropriate that I go ahead and review them here. In the case of The Lord of the Rings, I usually try to do a re-read every four or five years, since the first time I read them back in third grade. We'll see if I decide to re-read and post a review for The Silmarillion, too.
Sometimes, as I spend so much time reading thousand year old texts, or epic pieces of more modern literature that top out over a thousand pages, I forget how quick it can be to read what could be a considered a more “normal” book, like the debut fantasy novel I chose here. Unfortunately, reading The Hundred Thousand Kingdoms, I found myself mostly thinking that I was glad for how quickly I was getting through it.
One wonders what other common facts about everyday life we tend to ignore because of how seamlessly our technology helps us overcome those difficulties. Since most fantasy stories take place in pre-industrial settings that would not have most of these kinds of aides, it is worth considering working these kinds of facts of the human condition into stories.